Products
Rectangular leaf green & golden yellow case filled with blue and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden rectangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 25cm, Width 17cm, Depth 2.7cm.
Made by hand in London.
Triangle atomic red & blue shaped case with blue & white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden triangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 20cm, Width 23cm, Depth 2.7cm.
Made by hand in London.
Triangular acid lime green & blue case filled with pink & white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden hexagonal case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 20cm, Width 23cm, Depth 2.7cm.
Made by hand in London.
Octagonal terracotta red & golden yellow case filled with lilac and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden triangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 25cm, Width 17.5cm, Depth 2.7cm.
Made by hand in London.
Rectangular terracotta red & golden yellow case filled with lilac and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden rectangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 25cm, Width 17cm, Depth 2.7cm.
Made by hand in London.
Diamond terracotta red & golden yellow case filled with lilac and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden triangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 25cm, Width 17.5cm, Depth 2.7cm.
Made by hand in London.
Triangular terracotta red & golden yellow case filled with lilac and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden triangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 20cm, Width 23cm, Depth 2.7cm.
Made by hand in London.
Octagonal mint green & baby blue case filled with arsenic yellow and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden triangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 24cm, Width 24cm, Depth 2.7cm.
Made by hand in London.
Diamond arsenic green & blue case filled with yellow and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden diamond shaped case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 30cm, Width 25cm, Depth 2.7cm.
Made by hand in London.
Rectangular arsenic green & blue case filled with yellow and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden rectangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 25cm, Width 17cm, Depth 2.7cm.
Made by hand in London.
Hexagonal arsenic green & blue case filled with yellow and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden hexagonal case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 30cm, Width 25cm, Depth 2.7cm.
Made by hand in London.
Diamond atomic red & blue shaped case with blue & white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden diamond shaped case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 30cm, Width 25cm, Depth 2.7cm.
Made by hand in London.
Diamond pale acid green & blue shaped case with pink & white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden diamond shaped case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 30cm, Width 25cm, Depth 2.7cm.
Made by hand in London.
Like candy for your desk and just as impossible to resist, these Parvum Opus paper-jacketed pencils aren’t only a joy to look at, they are a joy to use. Stationery at its chicest. Wrapped in English mid-oak and Greek key, commissioned by Bridie, from artist Ian Harper exclusively for Pentreath & Hall. These 10cm long pencils are pre-sharpened, and are capped by pink erasers. Pencils are sold in sets of 12.
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive photographs taken at the British Museum emerges a colourful take on an ancient greek key frieze. Image Dimensions: 39cm x 18.5cm. Signed and numbered edition of 50. Giclee print on 310gsm Hahnemükle photo rag paper.
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Greek Urn.
Dimensions: 15cm x 25cm.
Unframed. Printed in London.
Signed and numbered edition of 50.
Giclee print on 310gsm Hahnemükle Bamboo paper.
Random selection of edition order.
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Greek Urn.
Dimensions: 15cm x 25cm.
Unframed. Printed in London.
Signed and numbered edition of 50.
Giclee print on 310gsm Hahnemükle Bamboo paper.
Random selection of edition order.
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Greek Vase.
Dimensions: 15.5cm x 26cm.
Unframed. Printed in London.
Signed and numbered edition of 50.
Giclee print on 310gsm Hahnemükle Bamboo paper.
Random selection of edition order.
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Greek Urn.
Dimensions: 15cm x 25cm.
Unframed. Printed in London.
Signed and numbered edition of 50.
Giclee print on 310gsm Hahnemükle Bamboo paper.
Random selection of edition order.
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Greek Urn.
Dimensions: 15cm x 25cm.
Unframed. Printed in London.
Signed and numbered edition of 50.
Giclee print on 310gsm Hahnemükle Bamboo paper.
Random selection of edition order.