Grand Tour Intaglio Cases
Square lilac & terracotta case filled with pink and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden square case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 22cm, Width 22cm, Depth 2.7cm.
Made by hand in London.
Rectangular lilac & terracotta case filled with pink and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden rectangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 25cm, Width 17cm, Depth 2.7cm.
Made by hand in London.
Diamond shaped lilac & terracotta case filled with pink and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden diamond shaped case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 30cm, Width 25cm, Depth 2.7cm.
Made by hand in London.
Hexagonal lilac & terracotta case filled with pink and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden hexagonal case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 24cm, Width 24cm, Depth 2.7cm.
Made by hand in London.
Triangular shaped lilac & terracotta case filled with pink and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden triangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 30cm, Width 25cm, Depth 2.7cm.
Made by hand in London.
Rectangular lilac & terracotta case filled with pink and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden octagonal case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 24cm, Width 24cm, Depth 2.7cm.
Made by hand in London.
Rectangular leaf green & golden yellow case filled with blue and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden rectangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 25cm, Width 17cm, Depth 2.7cm.
Made by hand in London.
Triangle atomic red & blue shaped case with blue & white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden triangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 20cm, Width 23cm, Depth 2.7cm.
Made by hand in London.
Triangular acid lime green & blue case filled with pink & white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden hexagonal case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 20cm, Width 23cm, Depth 2.7cm.
Made by hand in London.
Octagonal terracotta red & golden yellow case filled with lilac and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden triangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 25cm, Width 17.5cm, Depth 2.7cm.
Made by hand in London.
Rectangular terracotta red & golden yellow case filled with lilac and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden rectangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 25cm, Width 17cm, Depth 2.7cm.
Made by hand in London.
Diamond terracotta red & golden yellow case filled with lilac and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden triangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 25cm, Width 17.5cm, Depth 2.7cm.
Made by hand in London.
Triangular terracotta red & golden yellow case filled with lilac and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden triangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 20cm, Width 23cm, Depth 2.7cm.
Made by hand in London.
Octagonal mint green & baby blue case filled with arsenic yellow and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden triangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 24cm, Width 24cm, Depth 2.7cm.
Made by hand in London.
Diamond arsenic green & blue case filled with yellow and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden diamond shaped case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 30cm, Width 25cm, Depth 2.7cm.
Made by hand in London.
Rectangular arsenic green & blue case filled with yellow and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden rectangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 25cm, Width 17cm, Depth 2.7cm.
Made by hand in London.
Hexagonal arsenic green & blue case filled with yellow and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden hexagonal case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 30cm, Width 25cm, Depth 2.7cm.
Made by hand in London.
Diamond atomic red & blue shaped case with blue & white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden diamond shaped case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 30cm, Width 25cm, Depth 2.7cm.
Made by hand in London.
Diamond pale acid green & blue shaped case with pink & white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden diamond shaped case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 30cm, Width 25cm, Depth 2.7cm.
Made by hand in London.