Grand Tour Intaglio Cases - 2022
Rectangular golden yellow & lilac case filled with light blue and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden rectangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 25cm, Width 17cm, Depth 2.7cm.
Made by hand in London.
Rectangular shaped Brown & terracotta case filled with multicoloured intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden rectangular shaped case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 24cm, Width 24cm, Depth 2.7cm.
Made by hand in London.
Hexagonal pale acid green & baby blue case filled with green and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden hexagonal case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 24cm, Width 24cm, Depth 2.7cm.
Made by hand in London.
Diamond shaped pale acid green & baby blue case filled with green and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden diamond shaped case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 30cm, Width 25cm, Depth 2.7cm.
Made by hand in London.
Rectangular pale acid green & baby blue case filled with green and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden rectangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 25cm, Width 17cm, Depth 2.7cm.
Made by hand in London.
Square pale acid green & baby blue case filled with green and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden square case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 22cm, Width 22cm, Depth 2.7cm.
Made by hand in London.
Hexagonal shaped eau de Nil & golden yellow case filled with lilac and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden hexagonal case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 24cm, Width 24cm, Depth 2.7cm.
Made by hand in London.
Diamond shaped eau de Nil & golden yellow case filled with lilac and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden diamond shaped case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 30cm, Width 25cm, Depth 2.7cm.
Made by hand in London.
Rectangular eau de Nil & golden yellow case filled with lilac and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden rectangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 25cm, Width 17cm, Depth 2.7cm.
Made by hand in London.
Square eau de Nil & golden yellow case filled with lilac and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden square case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 22cm, Width 22cm, Depth 2.7cm.
Made by hand in London.
Hexagonal golden yellow & lilac case filled with light blue and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden hexagonal case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 30cm, Width 25cm, Depth 2.7cm.
Made by hand in London.
Diamond shaped golden yellow & lilac case filled with light blue and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden diamond shaped case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 30cm, Width 25cm, Depth 2.7cm.
Made by hand in London.
Square golden yellow & lilac case filled with light blue and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden square case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 22cm, Width 22cm, Depth 2.7cm.
Made by hand in London.
Hexagonal shaped Brown & terracotta case filled with multicoloured intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden hexagonal case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 24cm, Width 24cm, Depth 2.7cm.
Made by hand in London.
Diamond shaped clotted cream & pink case filled with blue and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden diamond shaped case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 30cm, Width 24cm, Depth 2.7cm.
Made by hand in London.
Hexagonal shaped arsenic green & pale blue case filled with yellow and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden triangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 24cm, Width 24cm, Depth 2.7cm.
Made by hand in London.
Diamond shaped arsenic green & pale blue case filled with yellow and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden triangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 30cm, Width 25cm, Depth 2.7cm.
Made by hand in London.
Rectangular arsenic green & pale blue case filled with yellow and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden triangular case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 25cm, Width 17cm, Depth 2.7cm.
Made by hand in London.
Diamond shaped terracotta red & pale acid green case filled with apricot and white intaglios.
Inspired by the famous Cobbe museum’s collections of colourful ‘medallion wafers’. When hardstone cameos and intaglios produced during the Italian Renaissance period, were so rare and expensive they were reserved for only the richest collectors. The more modest ‘grand tourers’ sought out reproductions in glass and plaster or red or white sulphur during the C18th and C19th.
Cast in two parts from Bridie’s own small collection of antique plaster intaglios, in Jesmonite. The intaglio reliefs are picked out in a milky cream while the body of the intaglios come in a selection of candy colours taken from the earliest examples of Wedgwood jasper ware.
Displayed within a beautifully handmade wooden diamond shaped case. Lacquered, gilded and painted in sublime colour combinations picked out from the Aubusson, Verdure and Gobelin tapestries.
Make an impact grouped or hung individually. No two intaglio cases are ever the same, each collection differs slightly.
Dimensions: Length 30cm, Width 25cm, Depth 2.7cm.
Made by hand in London.