So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
Proudly printed in England.
Dimensions: Height 15cm, Width 10.5cm.
Greeting card and envelope.
Blank inside.
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
Proudly printed in England.
Dimensions: Height 15cm, Width 10.5cm.
Greeting card and envelope.
Blank inside.
So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
So inspired by the Opus Sectile (a practice dating back to antiquity) marble floors of St Mark’s Basilica in Venice, Bridie drew versions of her own. Unlike the Byzantines, she was fundamentally lacking in access to great quantities of precious marbles from the sacred and civic buildings of the Eastern Roman Empire, so she’s printed her collection out as a range of patterned papers instead!
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
Proudly printed in England.
Dimensions: Height 15cm, Width 10.5cm.
Greeting card and envelope.
Blank inside.
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
Proudly printed in England.
Dimensions: Height 15cm, Width 10.5cm.
Greeting card and envelope.
Blank inside.
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
Proudly printed in England.
Dimensions: Height 15cm, Width 10.5cm.
Greeting card and envelope.
Blank inside.
Imagery of classical subject matter is a strong theme that runs through Bridie’s work. From using imagery from her vast archive of antique prints for decoupage emerges a colourful take on an Ancient Roman Vase.
Proudly printed in England.
Dimensions: Height 15cm, Width 10.5cm.
Greeting card and envelope.
Blank inside.
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